“Everyone wants to understand art. Why not try to understand the song bird?…individuals who try to explain pictures are generally barking up the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is extremely relevant to the way we approach abstract paintings. Many individuals feel that abstract paintings will need to have a particular concept of some kind, which could be clearly understood and articulated if perhaps they knew how. This misconception will not be helped from the endless supply of people prepared to spout nonsense in regards to what they think the artist was trying to say. The almost inevitable results of this case is the fact that people may either feel like they may be being excluded from sharing in a few secret knowledge, or alternatively conclude that Extra Large Paintings is certainly all a sham. In either case, the end result is the fact that many individuals do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my own paintings are worried. Basically If I had a specific message or a which means that I really could articulate in words, i would articulate it in words – the painting might have no purpose. The entire point of creating an abstract painting is it embodies something which only it could, in a manner in which can not be put in words. It is really not an essay this is a painting – it encompasses and expresses things in a language that is unique for the medium of paint. That is why we need to not attempt to ‘understand’ abstract paintings in the way people sometimes feel they ought to be able to.
The viewer should not search for a clear narrative in an abstract painting – it is really not planning to tell a story, or reference an outside ‘subject’ in the same way that a figurative painting will. But that does not mean there is not any meaning or no subject, or that abstract paintings cannot communicate with and move people. When asked about subject material, the Abstract Expressionist artist Jackson Pollock said, “I am the topic”. Pollock’s statement is not just true, it is actually inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed into the painting in the event the artist approaches the task inside an open and honest way. I do not need an external subject or idea before I could create Contemporary Abstract Painting – I simply begin. The fact that I am just me and no-one else is the reason why my work different to anyone else’s, and also the same wzjtrs true of artists. The colours I choose, the marks a make, the accidents I select to depart, or to obliterate, these are things i choose due to who I am just.
Should you present many different artists with the same basic design on the canvas and make them get a brush and develop the painting, the differences in whatever they would decide to do would be enormous. We have watched other abstract artists at the office on paintings and thought “I would never in a million years have selected that colour and place it there.” Not because I believe it is wrong or bad, but since they are who they are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are lots of great varieties of painting available, as a result of a wealthy art history which has seen movement after movement. The word abstract art is often used a blanket term to describe non-representational art – which is the lack of recognisable subjects. Abstract art was linked to the rise of modernism during the last century, coming into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.
What brought about the qualities we have seen in abstract art? The flattening from the artist’s canvas surface is one major quality, as artists moved from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a means of recording reality, they began seeing the canvas surface being an object in the own right, using the canvas being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and begun to form its own qualities in accordance with how it was handled. The paint could exhibit ‘personality’, it had their own dimensions and exposed a multitude of different techniques we see in artwork from the last century. One of the primary reasons artists began Extra Large Paintings within an abstract way was the opportunities for greater creativity. It allowed for any greater variety of expression and the growth of ideas which were not reliant on representing reality any further.